NLP, or Neuro-Linguistic Processing, is a set of inter-and-intra-personal communication techniques first developed by psychotherapist Richard Bandler and linguist John Grinder (who worked together under the tutelage of British anthropologist Gregory Bateson). It’s purpose was to discover the linguistic underpinnings of mental states and how they effect our behaviors, and to later use this knowledge to modify our habits. It can be practiced through introspection (now more scientifically known as metacognition) or guided conversation.
Specifically, the goal of NLP is to model how others think and behave, including those who are creative. What are the strategies a so-called “creative person” plays out in their heads? What is the structure of their experience, and what mental steps do they take before producing a creative outcome? Or, is it all spontaneous? And if so, how does one increase the chances of such a spontaneity occurring? These are the types of questions an NLP practitioner would ask.

The Disney Creative Strategy
The most popular NLP technique designed to enhance creativity is the “Disney Strategy,” (4 page PDF) first modeled by Robert Dilts based on his conversations with filmmaker Walt Disney.
- >”Dilts noticed that Disney had three separate approaches to his creative work and he alternated between these roles, which Dilts identified as Dreamer, Realist, and Critic. Each role has a distinct orientation in relation to the creative process: the dreamer is the place of free association, brainstorming and even fantasies; the realist is the place of action, of imagining putting the dreams into the physical world; and the critic is the place of testing the soundness of your idea’s, checking in on what will or won’t work.”
Dilts believes that we each have a part of us that can identify with these roles. However, some of us are more of one than another. What happens if we don’t find a balance?
- “A dreamer without a realist cannot turn ideas into tangible expressions. A critic and a dreamer without a realist just become stuck in a perpetual conflict. A dreamer and a realist might create things, but they might not be very usable ideas without a critic. The critic helps to evaluate and refine the products of creativity.”
So the main question is: throughout the creative process how can we develop each of these roles? The answer Dilts provides says that we should set aside a time and place for each of these mental attitudes:
1. First put yourself in the role of The Dreamer. Write down any and all ideas that come to mind. Make as many freely associated connections as possible, let your thoughts just flow without any limitation or worry on how to put these ideas into action.
2. Next put yourself in the role of The Realist. Now ask yourself, “How can I put these ideas into a reality? What resources (money/time/skills) do I need?” Write these down.
3. Then put yourself in the role of The Critic. Now it is time to try and find the flaws of your strategy. What don’t you like? What potential obstacles are there? What needs improvement? Write these down.
4. Now step outside your triangle of roles. Observe your reaction to each – are you being a good Dreamer, Realist, and Critic? How can you improve each?
5. Cycle through each role again. Using any insights from #4, cycle through the roles again, this time being an even better Dreamer, Realist, and Critic.
6. Take your ideas to action Do the above as many times as needed until you can begin putting your ideas to action. Even as you carry out your plan, keep these three elements in mind at all times.
How much time you spend in each session is up to you. I recommend at least 5-10 minutes of brainstorming, idea-jotting, and question-asking per role. When I first tried this strategy I used to even light different-scented candles; which became a self-conditioned stimuli (an anchor, for those familiar with NLP lingo) to help me get into each mindset. You can use other habits (or “rituals“) to help amplify your creative roles as you practice them more and more.
Another Way To Deconstruct Creativity
The other day I came across an article on the blog Litemind called, “Deconstructing Creativity: The 4 Roles You Need To Play To Be Fully Creative,” and although I don’t think the author Luciano Passuello intended it, his strategy is actually very similar to Walt Disney’s.
The 4 roles Luciano identifies are:
1. The Explorer (be curious and alert, seek out as many inputs as possible, and talk to a lot of different people).
2. The Artist (flex your idea muscles, play, use your imagination, and integrate different concepts).
3. The Judge (be real, develop critical thinking, and be aware of thinking traps/biases).
4. The Warrior (get into action, overcome resistance, be courageous, and find out how to market and sell your idea).
Passuello doesn’t mention NLP but, like in NLP, he creates a very thorough model of his own personal creative strategy.
Other possible models
1. Real world examples
Do you have a friend, family member, coworker, or acquaintance who you think makes a good Dreamer, Realist or Critic? Why not use that as a resource to improve your creative process? You’d probably be surprised how much you can learn by pretending to think as someone else. How does your physiology change? How do your thoughts change? How do your motivations change?
2. Fictitious characters
Same thing as above, but this time pay attention to the thoughts and behaviors of characters in movies, TV, books, or plays. Imagine yourself in those roles. How does your physiology change? How do your thoughts change? How do your motivations change?

“All the works of man have their origin in creative fantasy. What right have we then to depreciate imagination.”
-Carl Jung
My inner rockstar is the latest archetype I want to manifest. Ever since I was a kid I knew I wanted to be some sort of musician, actor, or artist; in a way I still have the spirit in me.
I like having dreams. I am not afraid to follow them, and I think it is never too late to try and pursue something new unless you are resting on your deathbed cold and numb.
But who am I kidding? I am only 21 years old. I have so much time, energy, creativity, and passion waiting to manifest. I have the world in the palm of my hands. Yes, I really do – so why not aspire? Light the candles of my inner passions a little. Not just avoiding death, but living life. Let my rockstar come out!
Who is my inner rockstar?
If Carl Jung were here giving me some counseling – he would probably ask, “Who is your inner rockstar? What is his personality like and what are his values in life?”
Jung would agree that my inner rockstar is a construction of my mind: a product of my background, society, culture, attitude, and experience.
When I think “rockstar” a few key ideas pop into my head:
- Rebellion
- Exploration
- Spontaneity
- Leadership
- Enjoyment
Rockstars do what they want. They don’t take shit from anybody and if you try to suppress a rockstar’s will or desire, you bet he is going to topple over you to get to where he wants to be. This rebellious attitude is so often what impressionable children and teens find so attractive in rockstars.
Whether it is in the tour bus or sitting in the studio, rockstars are always exploring. Exploring new sounds, new themes, new artwork, new ideas. Once they put together a CD they begin touring; seeing new sides of the country, maybe even getting a chance to travel to Europe and Japan if they are big enough. Being a rockstar is both an exploration inwards (artistically) and outwards (socially).
Jamming on stage is spontaneous, meeting new people backstage, having fans come up to you in five star restaurants, trying to keep the fellow bandmates from strangling each other during another long bus trip. Living the life of a rockstar, you never know what is going to happen next. Life can be hectic, it can slap you in the face from time-to-time, but it is a sign that you are alive and in the fast lane. It may bring you moments of pleasure and pain, but they certainly won’t be dull.
Rockstars often have big egos, which isn’t necessarily a good thing, but it is a price to pay when you are put in a position of power. You are in the limelight. People and paparazzi follow you around asking questions and concerns. You have young teens and adults coming to your shows, feeling inspired, using your music as a gateway towards a more fulfilling life. In some ways, a big rockstar can be even more influential in shaping society than most politicians.
In the end I think a lot of people just want to become rockstars because it looks fun and enjoyable. Think about how much better your life would be if you got to do something that you absolutely loved each and everyday of your life. You’re getting paid massive amounts of money to play guitar, bang away on the drums, or scream into a microphone. If you have never had the urge to play an instrument before, or if you’ve never had the dream to make a living doing what you love…get the fuck out of here… you are lying (don’t take my harsh words too seriously – I am just in my rockstar mindset).
I don’t want to over psychoanalyze my inner rockstar. Just become more aware of it. I want to discover which characteristics about the idea resonate with me most. I want to activate that “little me” that has been hiding inside, as if it were a little switch in my mind that I could just flip ON.
Using archetypes to build character
Of course it would always be nice to be a real rockstar. But I don’t seek to be other people, I seek to be a better me. And using role models (even in the form of abstract symbols or archetypes) can help guide us in improving certain aspects and characteristics of our life.
Let’s say for example that I wanted to be more spiritual. I could consciously create an archetype in my head by integrating different aspects of all my favorite spiritual leaders. People like the Dalai Lama, Buddha, Gandhi, Robert Thurman, Thich Nhat Hanh, Lao Tzu, Eckhart Tolle, Deepak Chopra, Osho, Mooji, Jesus, etc.
Then once I created this prototype of a spiritual leader, I can begin to extrapolate certain characteristics that I find are universal about it:
- Compassion and loving-kindness towards others.
- Dedication to one’s practice.
- Calmness and patience.
- Wisdom and acknowledging the unknown.
This is just a rough start, but as you can see you can create an archetype fairly quickly – just open up Microsoft Word and start jotting some things down. The idea here isn’t to yearn to become one of these other individuals, but to extrapolate a lesson from them. To use their example as an inspiration to be more like them.
I may never be a real rockstar…but it doesn’t matter, because the point is that what I really want is more rebellion, exploration, spontaneity, leadership and enjoyment in my life. That is where this archetype comes in handy.
Energy flows where attention goes
When I bring my inner rockstar into consciousness I am simultaneously giving it life. As the popular Huna saying goes, “Energy flows where attention goes.” Even just the simply act of writing this blog post is beginning to awaken these new facets of my rockstar being.
I could expand further by meditating on my inner rockstar – imagining him in different situations and how he might think and behave. This act of visualization is a great way to send attention (or energy) into different actions one can do to build character. In mentally prepares me to manifest these new rockstar tendencies throughout my day.
In particular, I believe that wakening my inner rockstar will help facilitate my motivation, allow me to take more risks and strive to achieve greater things, like stuff within this blog, in my social interactions, and in my daily habits.
Here are some fantastic ways to “draw energy” from your archetypes, some of which have already been touched upon in this article:
1. Write about them. That is what I am doing here.
2. Meditate/visualize/contemplate. Use your thoughts and imagination to awaken your mind to new possibilities and new ways to act.
3. Roleplay. May sound a bit silly, but by acting out your archetypes you are building up your neurology towards these new behaviors.
4. Integrate into your life. Can’t just spend all your time thinking, imagining, and role-playing in your room. Now it is time to incorporate these into your daily moment-to-moment existence.
Change only occurs through effort
Everyone who is involved in self-improvement is looking for that magic pill. Let me tell you what it is. Are you ready? Bring your face closer to the monitor…
There is no fucking magic pill!
If anyone could follow the law of attraction and be famous, successful, and happy…then everyone would be. But I am not going to sit here and tell you that using archetypes will change you over night. They require work and dedication to build.
The “Archetype Route” of growth and healing
All of that being said: I don’t think the “archetype route” for personal development is necessarily the best route for everyone. It depends on what you want to change.
If you only want to change a behavior – stick with habit-building techniques: 30-day experiments, classical conditioning, cognitive-behavioral therapy, and mindfulness.
But if you want to make a personality change you need to dive deeper. You need to learn how to see through the eyes of different minds.
Archetypes and role models are a great resource for that.
There was actually an old NLP technique I learned through an acquaintance (if anyone can remind me of the name of the technique it would be really helpful).
The technique went something like this: create a mental experience of an interview between you and a role model in your life (presumably some sort of expert). By asking them questions and filling in the answers (all in your mind’s eye), you would be taking part in a creative cognitive mechanism for solution-building. Theoretically, it could be used for any kind of problem-solving: business, relationships, health, or spiritual growth.
Humans are actually very good at dissociating from themselves and getting into the minds of others as an evolutionary trait (it is know as theory of mind). We love it. We do it all the time. Think about it: we even role-play every night in our dreams, and when we don’t get sleep for a long period of time we begin hallucinating.
Minds like to imagine things, and I think cognitive scientists should focus more research on imagination as a general mechanism for effective human learning. Even Einstein used a thought experiment (by imagining himself chasing after a beam of light) which aided in the development of his theory on special relativity.
There have also been some studies showing how dreams play an important role in consolidation of memories. It would be interesting to see what other cognitive benefits our imaginations may have.
Building archetypes should probably be considered an “advanced cognitive skill.” I don’t do them myself, but I know that they work and I know how they work.
However — I’m going to try and use this blog post as motivation to further explore the power of archetypes. Particularly this inner rock star idea. From a general standpoint in my life, I want to be more rebellious, explorative, spontaneous, leader-like, and just enjoy myself more. So I am going to continue to use this symbol as a tool of inspiration. I will try and meditate on it a couple times a week and see what fruits it reaps.

In this post I want to show you how to create your own hypnosis audio as an exercise in personal development.
Materials needed
- Some kind of microphone, MP3 recorder, or way of recording your voice.
- Basic audio editing software (Audacity is a popular free one. There are probably some options that come with your computer too – I used Garageband.)
- If you already have some talent with music feel free to incorporate that.
What is hypnosis?
Think of hypnosis as nothing more than suggestion. Whether you are talking to a friend, listening to something on the radio, watching a movie, or just thinking a thought – you are being suggested some sort of idea.
Bad hypnosis is when the suggestion doesn’t hook. It goes in one ear and out the other and we remain unaffected. Maybe we were just too bored or apathetic to really pay attention to what was being suggested or our critical mind found the suggestion to be bogus.
Good hypnosis is when a suggestion captivates you and creates a change. It is like being moved by a really compelling movie. Anything that peaks your interest and makes you tune in more intently can be considered a form of good hypnosis, like a compelling speech or even watching the World Series. It concentrates your attention and keeps your mind engaged.
How do affirmations relate to hypnosis?
A popular form of hypnosis within the personal development niche is affirmations. When the technique was first introduced as a tool for psychotherapy by Emile Coue in the late 19th century, when it was first called autosuggestion.
If you don’t yet know what an affirmation is it is basically this: you create suggestions for yourself towards certain changes in feelings, thoughts, or behaviors. For example:
- I will be more friendly to people I don’t know.
- I will try not to overreact when I get angry.
- I will spend more time at the gym.
- I will pay better attention to my eating habits.
These are all affirmations but you can structure them in all kinds of different ways. Different language patterns may be more or less effective depending on the suggestion and the person being suggested to. Since you are writing your own suggestions, you should experiment and find what ways work best for you.
Writing your own script
What types of suggestions do you think will work best on you? This part takes a bit of experimentation and practice. You won’t necessarily nail it your first short.
Some people are more suggestible when they are being directly commanded to do something: “Be a better listener! Study more! Watch less TV!”
Other people are more suggestible when they are given options to compare, “Imagine what your grades would be like if you didn’t study more? Now, imagine what your grades would be like if you did study more?” This is called an indirect suggestion – because there is an implicit message that your grades would most likely be better if you studied more.
For your first script, I recommend trying out both direct and indirect suggestions. Don’t be afraid to also incorporate things to visualize by starting sentences with,
- “Picture this….”
- “Visualize that…”
- “Imagine if…”
- “See what happens when….”
The more vivid you make your suggestions, the more captivating and effective they will be. People who have a naturally tendency towards good story telling or a strong imagination will have a distinct advantages over those who don’t – but it is a skill that we can all develop with practice.
Try to make your first script a good 2-3 pages, double spaced, 12 sized font. This should make your hypnosis track about 5-7 minutes if you pace your delivery appropriately. You can structure the script in different ways or you can make it more stream-of-conscious – it really depends on the message you want to get across. Some scripts are designed to drive home a single point or lesson, while others are designed to simply develop a general good sense of well-being and motivation.
The voice and delivery
Voice and delivery can be important in how suggestible your message is but again it depends on the type of suggestion and also the person being suggested to. Your tone matters. For example you wouldn’t want to screech out “Relax!!!” when you want someone to be in a relaxed state. Similarly you don’t want to have a boring and apathetic voice when you say, “Be sexy and fun around others!”
Experiment, experiment, experiment! Sometimes listening to a slow and drone-y voice can heighten your trance, while other times it can put you to sleep. You don’t want to fall asleep. You want to be engaged. Hypnosis is most effective when it is an adventure. Add different colors and dynamics to your voice to amplify the importance of the message and keep your attention fixated.
When you read the script (or even if you are doing an impromptu script) you want to role play the experience as you speak it. You want to be there as you tell the story. The more engaged you are when you deliver, the more engaged you will be when you listen back. It is just a basic rule of all good communication.
How to butter up your final product
Once you are done recording the main script, there are certain things you can do to make the listen even more attractive and enjoyable.
You could add music that compliments the message. Good music for hypnosis should fit well in the background and not take away from the language of the track. It should be designed to create a certain mood or feeling. Sometimes a sense of inspiration or awe can make the strongest impression.
You can create another overlaying script. Often practiced in the form of “dual induction hypnosis,” it is when two hypnotists are giving suggestions at the same time. With the wonders of modern technology, you can create a dual induction all by yourself. With some basic audio editing you can even pan one voice to the left and the other voice to the right. So you will have a different exchange of suggestions going into each ear. This can be used as a way to create stimulus overload, often resulting in confusion, which is a very great way to amplify trance states.
Add effects to the voices. A little bit of echo and reverb never hurt anyone. Sure, it may make your voice sound like some robot from a cheesy 80s scifi movie, but it can make your voice easier to listen to and be fixated on. For “edginess” you can add some distortion or flanger. Most basic audio-editing softwares (including Audacity which I recommended above) have some pre-packaged effects that you should be able to use.
Do panning and volume changes throughout the track. This may be something that only experienced audiophiles can do, but by having your voice shifting between speakers and changing volumes is one really fantastic way to keep your track engaging.
My example
You can download my first attempt here (approx: 10:20, 14mb) . My original intention was to do a dual induction: with self-improvement suggestions on one side and world-improvement suggestions on the other side.
I didn’t write a script for this one, just recorded each track individually, stream-of-consciousness. Each recording was 10 minutes and then I just overlapped them and added some reverb, echo, and distortion (only because I felt my voice sounded too dry and weak without the effects).
After the scripts were recorded I created a simple synthesizer sample using Reason (it is a program for electronic music makers). I basically improvised an organ/space-y synth sound to go with the suggestions.
Things I learned to help improve future recordings:
- I need to make my voice more animated.
- The music is a bit cheesy and simple, but it does have an interesting drone/trance-inducing effect.
- Because I didn’t write a script, the message of the audio is a bit scattered and incoherent. Creating this kind of confusion isn’t necessarily bad for creating a hypnotic effect, but writing a script with something more coherent and structured is usually better.
- There will always be room for improvement whether it be writing better scripts, stronger vocal delivery, or even becoming a more intent listener to the final product.
Things I learned from the creative process in general:
- Making your own self-hypnosis tracks can be really fun.
- The act of putting together the project in-itself is a great exercise in personal development.
- It is a great way to express yourself.
Listen to it
Once you finish your creation you will probably be eager to listen (and re-listen) to it. I recommend doing this whenever you have time set aside to let go of your earthly obligations; it could be early in the morning before you get to work or late at night before bed.
Try listening to it every other day for a week and then continue with it on a weekly basis. Consider it your daily mantra or prayer, a healthy reminder of the things that matter to you in life and the things you want to improve.
Don’t be afraid to also listen to it with a critical eye. Jot down some ways you can improve your next recording. Pay extra attention to which suggestions “clicked” with you and which ones just passed by. Work on developing better language, better delivery, and more colorful and dynamic tracks. Follow these principles and you will be the king of your world in no time. I mean it.
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Many people I know seem to underestimate the importance of living a meaningful life and how it contributes to happiness and mental well-being. Martin Seligman, the father of Positive Psychology and former president of the American Psychological Association, considers the Meaningful Life to be one of the key factors towards the cultivation of happiness and life satisfaction. He distinguishes it from what he calls the Good Life (life of engagement, flow) and the Pleasant Life (life of enjoyment, leisure time, hobbies, relationships).
What does it mean to have a meaningful life? How does having one serve our interests?
Does it mean we have to be religious or spiritual? Not necessarily. It doesn’t really matter what we call it, since it is something we can only define for our self anyway. We can search for the meaning in things, but that is not nearly as fun or productive as when we create it.
Art, film, music, dance, photography – these all give us a sense of meaning, purpose and belonging. It’s not always achieved rationally either. In fact, a fulfilling life needs to transcend rationality if we want it to truly flourish. We need to let go of our busy thinking and just define our moments as we live them. What better way to interpret life, to add meaning, than to express it through our creativity?
Be creative. Let yourself flow with ideas.
Than execute them. Put them into action. Don’t be afraid to tweak things and always build on your skill. It will never be perfect but that is not the point. Perfection doesn’t exist, there is no line to cross and get to a point that we can call “perfection”, there is only infinite growth. Even the best of guitarists today are always practicing and building on their skill.
By pursuing these activities we are simultaneously building Seligman’s Meaningful Life (life of purpose) and Good Life (life of engagement).
If we get good enough we may even have the opportunity to profit off of our creations. Why not if we have the chance? Wouldn’t it be a fantastic thing to be able to make a living and a career out of something you really enjoy?
Not all of us are that lucky but still a pursuit of a meaningful life is something that can serve more than just our economic interests. It serves a deeper interest, you can even call it a part of our core, that is even more likely to make us happy.
Some economic interests are of course crucial for survival and comfort, but they cannot give us complete happiness. That is something we can only define for ourselves, in our own mind. We have to act it out of our own free and creative will.
The Meaningful Life is referring to a kind of activity. This means it requires time. You must have time to pursue something creative from both your heart and mind, not simply live your life as a producer or machine.
The most common ways we find meaning in life is through consuming entertainment like books, TV, videogames, music, and sports. These are fine ways to build a joyous life, even necessary. But from my perspective, and perhaps this is true for many others, we need to dig into life deeper in order to build a more everlasting and permanent life satisfaction. There is no better way to do this than to express the ideas in one’s mind.
Artistic expression, beginning with the mind and than translated into action through our body, is simultaneously a reflection of life and a part of life itself. It is the best method of building a meaningful and personal life – what I personally would call spirituality, or the way we come to define our Self/World relationship. Pursuing a means to express yourself may even be seen as more superior than following a religious tradition. It puts you into a position of power over your worldview. You become the painter and the world becomes a canvas. Reality is experienced as more flexible, more giving, more abundant, and more satisfying.
Art therapists believe that through creative expression and by evoking one’s imaginative abilities a person can live a greater life of physical, mental, and emotional well-being.
Depending on the patient’s strengths and interests, certain art therapies may include any combination of dance, drama, music, writing, embroidery, and the visual arts (drawing, painting, sculpting and photography).
Through these expressive mediums it has been shown that patients become better at reducing stress, managing behavior, developing interpersonal relationships, increasing self-esteem and self-awareness, improving problem-solving and other cognitive faculties, as well as achieving insight.
The arts have probably been used as a source of healing ever since they have come into existence; but art therapy did not emerge as a distinct profession until the 1940s where psychotherapists began to take interest in the creative output of those with mental illnesses (such as the famous Mexican artist Martin Ramirez who was diagnosed with schizophrenia) as well as those on psychedelic drugs (such as this government-mandated study on LSD).
Recently there has been a new Post Traumatic Stress Disorder (PTSD) program at the Landstuhl Regional Medical Center (LRMC) in Germany which includes art therapy techniques mixed with yoga, anger management, cognitive processing therapy and other treatments.
More amazingly, PBS’ Wide Angle, Focal Point documentary did a segment on how art therapy has even been used to reform terrorists (out of over 200 patients who have completed the program only 5% have relapsed!):
FOR MORE RESOURCES ON ART THERAPY PLEASE CHECK OUT:
Interview with schizophrenic patient and art therapist on WebMD




